A global educational venture dedicated to advancing mural arts as a powerful instrument for cultural expression, community engagement, and social transformation.
Articulated from our home in Toronto, Canada, our vision reaches across the world.
The Carmen Cereceda Bianchi International Public Art School (CCBIPAS) is a global educational venture dedicated to advancing mural arts as a powerful instrument for cultural expression, community engagement, and social transformation. Articulated from our home in Toronto, Canada, our vision reaches across the world.
Founded through a collaborative spirit that unites OCAD University, the Dundas West Open Air Museum, and a network of international partners across Asia and Latin America, the CCBIPAS is built upon Carmen Cereceda's enduring legacy. Her life's work bridged artistic traditions and continents, fostering inclusive, decolonial approaches to public art that honor diverse narratives and shared humanity.
Guided by Carmen's path of artistic diplomacy and her profound belief in art as a universal language that transcends borders, the school will expand into communities worldwide. We aim to cultivate spaces where collective creation fosters dialogue, healing, and a reimagined sense of place. By empowering artists and communities to co-create public murals, we continue a vital legacy of using art not only to adorn walls but to weave the fabric of a more connected and empathetic world.
Chilean muralist, educator, and spiritual visionary, Carmen Cereceda Bianchi (1926–2025) was a pivotal figure in the international mural movement. She studied Fine Arts at the University of Chile in Santiago, before deepening her practice at the National Polytechnical Institute in Mexico City, where she immersed herself in the epicenter of muralism.
Her formative years in Mexico were profoundly shaped by direct collaboration with the masters. She worked as an assistant to David Alfaro Siquieros, contributing to his ambitious, politically charged projects and absorbing his dynamic use of perspective and modern materials. She also lived and worked alongside Diego Rivera and Frida Kahlo, an experience that enriched her understanding of art's narrative power and cultural identity.
This rigorous apprenticeship launched her into a lifelong journey of artistic diplomacy. She conducted exhibitions across Brazil, Cuba, the United States, Spain, Italy, Algeria, the Soviet Union, and China, and completed enduring murals in Mexico, Cuba, Chile, and Toronto, Canada.
As a professor at the Ontario College of Art and Design (now OCAD University) for seventeen years, she taught composition, painting, and mural art. She influenced a generation of artists by synthesizing her experiences into a unique pedagogical approach rooted in Realismo Mágico (Magical Realism)—a style that wove together the social commitment of the Mexican masters with a transcendent, spiritual vision all her own.
"I perceive the constant presence of a spiritual bridge between this objective world and another more powerful and protective world, inhabited by essential and immediate truths, relating to our existence. This is in essence what inspires me to create what I paint."— Carmen Cereceda Bianchi
Located in the foyer of the University of Toronto's Faculty of Dentistry, this 11x19 foot mural (1976–78) memorializes Dr. Alan Black and depicts sickness and healing through the ages. Eric Freifeld, Chairman of OCA's Department of Fine Arts, described Cereceda as "a remarkable artist, fully a master of her means."
A pioneering collaboration between academic excellence and community-based public art across the globe.
Founded in 1876, OCAD U is Canada's university of the imagination, dedicated to art and design education, practice and research. As a cultural institution within Toronto with canadian and international influence, OCAD U provides critical depth in artistic inquiry and cross-disciplinary innovation.
Learn MoreAn innovative public art museum where murals serve as educational tools, telling stories of local heritage, history, and multicultural experiences. The museum has formed educational alliances with local schools and provides anti-graffiti and mural workshops to the community.
Learn MoreA hip-hop movement started in 2014 running for the last 6 yrs in the bylanes of Dharavi – Asia's largest Ghetto to discover, nurture, mentor and showcase emerging under-resourced Hip-Hop talent from Dharavi and across the world.
Learn MoreThree international workshops in three months, preparing for the official soft launch
The inaugural workshop at OCAD University in collaboration with Dundas West Museum, focusing on mural methodologies, community integration, and the technical heritage of Latin American muralism. Featuring The Clandestinos Crew.
A cross-cultural exchange exploring connections between Latin American mural traditions and South Asian narrative art forms, emphasizing community storytelling through public art. Featuring Serpiente Sal from Chile.
A cultural and educational exchange facilitated through Canadian partnership, honoring the rich mural traditions of Cuba while building academic bridges that transcend geographical and political boundaries. Featuring Canadian French Artist Ankh One.
New Public Art Mural Installation at Dundas West Open Air Museum. The history of Toronto's Dundas West neighborhood interpreted through a new mural by internationally-renowned Indigenous artist Philip Cote.
Read MoreBeaver Hall Gallery and Dundas West Museum present HEMISFERIOS, a landmark exhibition showcasing 25 years of Latin American public art created in Canada, curated by Rodrigo Ardiles Gamboa.
Read MoreCanadian public art collective Creativo Arts assembles a mural route in Petite-Patrie Latina, highlighting women muralists from Argentina, Mexico, and Uruguay who are leaving their mark on Montreal.
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